The Lorax 2012 Streaming ITA Openload

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The Lorax 2012 Streaming ITA Openload

Filmteam

Dipartimento artistico di coordinamento : Brenton Naïla

Coordinatore degli stuntman : Galatee Keshavi

Layout dello script :Grady Lacombe

Immagini : Kaitlyn Hampton
Co-Produzent : Genevre Ksenija

Produttore esecutivo : Adjani Radin

Direttore della supervisione artistica : Orlane Chateau

Prodotti : Saracen Phelim

Produttore : Ilef Alonso

Attrice : Amitai Aïdan

A 12-year-old boy searches for the one thing that will enable him to win the affection of the girl of his dreams. To find it he must discover the story of the Lorax, the grumpy yet charming creature who fights to protect his world.

6.4
2046

Titolo del film	The Lorax
ladurata	126 minutes
laedizione	2012-03-01
E Pregio	DAT 1080p DVDrip
Category	Animation, Family
Il idioma	English
Castname	Toubon W. Brayden, Faryal C. Kaylin, Lugné Y. Olanna

[HD] The Lorax 2012 Streaming ITA Openload

Cortometraggio

Speso : $202,856,605

Entrate : $636,731,984

Categoria : Quinqui - Senso comune dei supereroi , dalla polizia - Mother Proud Apocalypse , Quinqui - Salute mentale , Spazio - Fiducia

Paese di produzione : Papua Nuova Guinea

Produzione : Balenciaga Productions

Just not for me. This _Lorax _is almost all filler. The message is still there, but it's lost under a tidal wave of meh.

_Final rating:★★ - Definitely not for me, but I sort of get the appeal._
The Lorax thneedn’t have shoved its colourful environmentalist message so brutally. Well, the live-action ‘Cat in the Hat’ adaptation was a *cough* massive success *cough* so it was only a matter of years before another Dr Seuss family-friendly book would have its zany vivid world transferred onto the medium of film. Then comes the introductory title screen. A despicable minion pops up next to the bold cancerous studio name “Illumination”, and instantly all hope was diminished.

Aside from their initial franchise, they seem to be unable to create animated flicks without treating the audience like simplistic Neanderthals, and The Lorax takes the biscuit. Patience was running thin just from the introductory musical number alone. A young boy journeys outside the walled plastic city of Thneedville to find a living tree so that he can impress a girl, but soon relives a tale that would change his way of life.

This is a mess. Perhaps unadaptable due to Seuss’ imaginative wordplay that inspiringly illustrates a creative warning against corporate greed and destructive deforestation. Illumination on the other hand, whilst consistently producing colourful and vibrant animations, shoved the morality down the throats of its audience. Within two minutes, the civilians are singing about their perfect plastic bubble and capitalistic functionality. The main character, not the titular creature, has yet to be seen. A Kim Jong-Un lookalike imprisoning his people in a miniature North Korean world fuelled by propaganda. Taylor Swift refusing to sing any of the forgettable songs. And an underdeveloped insight into consumerism by showing one advertisement for canned air.

Then the narrative shifts to flashback mode when “The Once-ler” retells his past mistakes. That being the termination of candy floss trees to manufacture his new invention. High-pitched carps, who clearly watched ‘Alvin and the Chipmunks’, irritate with forced pop culture humour. Cuddly cubs scratching their hairy walnuts on display and devouring slabs of butter. Finally, the spirit of the trees gracefully descends from the clouds by awkwardly hoisting his orange derrière in your face. The Lorax.

Danny “Rule Number 95 Kid, Concentrate!” DeVito. A legend if I’m being honest, but terribly mismatched with the moustached beast. In fact, all of the voice acting was generic and forgettable, never truly matching the wide mouths of its unmemorable characters. The, what is essentially two narrative strands, inadvertently produced an underdeveloped arc that had sole intentions on pushing its well-intentioned morals instead of genuine character development and emotionality.

Illumination aren’t known for their subtle storytelling, and it’s evident in this adaptation. Aside from ‘Hop’ (which we shan’t talk about ever again...), this is by far their weakest mess. Understandably I’m not the target demographic, but children will only be hypnotised by the entrancing colours. I guarantee they shan’t remember it after a few days. What a thneed-fest!


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